The Faith Tones Saga Continues

A few months ago, I wrote an extensive piece about The Faith Tones, a female gospel trio who recorded an album in 1964 titled “Jesus Use Me.” Their album cover depicting the three of them in their 1960s hair styles seems to be all the rage across the internet. 

When I was able to confirm that they’re for real and that they really did release this album in 1964, I decided to put my creative writing skills to use. I wrote some pretty extensive bios about each of the members including making up their names. 

The thing was, my entry was a work of creative writing; 95% of it was fiction. So many sites had made some pretty wild claims about them, so I decided to write a satirical piece but keep it "just" believable enough that people might buy in to it. For example, I identified one of them as Marie Samuels. But any Hitchcock fan would recognize that name as the alias the main character used in the movie, Psycho, when she checked into the Bates Motel. 

My blog entry quickly became Number One on Google. I was surprised

A couple of months later, a Wikipedia article appeared and the information from my blog entry was used as fact. (A link to my blog was provided).  And no, I did not make the Wikipedia entry. As a matter of fact, I’ve tried contacting the person who made that entry but have yet figured out how to do it. 

That’s a perfect illustration of why you can’t believe everything you read on Wikipedia. Or on the Internet for that matter.

So, I’m here to set the record straight. Last week, I noticed that a mint condition LP of the infamous Faith Tones album was up for auction on eBay. This album is exceedingly rare – the last one available was over two years ago. 

I read all about how to “snipe” on eBay and watched the auction carefully. Finally, with ten seconds to go, I leaped out of the bushes like a puma and entered my offer.

I won.

The mint condition album arrived in the mail yesterday. The reverse cover contained some bio information on each of the women including their names. 

From left to right:

Marilyn Seidler -- a licensed cosmetologist

Becky Seidler – has a degree in Business

Rosalie Wolff – an Education major at the University of Montana.

Daniel H. Squire - recording engineer
Bud Tutmarc - Producer.

A friend of mine has a turntable that will convert each track into MP3 recordings. That will be my project for the weekend as well as posting the recordings to YouTube. 

So, yes, my fascination with The Faith Tones is real. I would love to know more about these women and their life journeys, for I’m sure we can all relate to them in some way. 

So, I've come clean about the piece I wrote, but my blog entry remains at the top of Google and the Wikipedia article remains unchanged.  Later, I’ll have the joy of making their music available for us all to enjoy. 

The journey continues. . .

The Faith Tones

Recently, a friend of mine posted a photo of this gospel LP on Facebook and I could hardly believe my eyes. 

Here it is: The Faith Tones “Jesus Use Me”

Could it be real? I began investigating.

It turns out that, yes, there was an album released by The Faith Tones with the title, Jesus Use Me, by Angelus Records in 1964 (WR 4802). 

The Faith Tones became a quest. I had to know more. 

Fortunately, I have a buddy who used to work for the CIA, is now a private investigator and also joined in on my quest. 

Here’s what we discovered. . . .

The Faith Tones are real. Those are not men in drag. That’s really them, bouffant and all. 

Here’s a recent photo of the album that sold on eBay on December 30, 2011 for $214.00.

The real deal, folks:

As my buddy and I went to work, details of The Faith Tones began to emerge. 

The Faith Tones began as a gospel quartet during the spring of 1963 in the Winston-Salem, North Carolina area. The group originally consisted of Beverly Beecham (one the left with the bouffant), Vivian Wyler (middle), Marie Samuels (with the glasses) and Roberta Long (not pictured).  They soon became a trio probably due to the fact that Roberta Long, a newlywed, gave birth to her first child soon after the group began. 

The remaining trio of Beecham, Wyler, and Samuels were all single working women in their early twenties, thus, many evenings were available for rehearsals. All of the women  were trained church musicians, accomplished pianists and organists, and were members of the Lottie Moon Missionary Baptist Church in Winston-Salem NC.  Their combined talents, along with their availability, proved to be quite productive. They quickly became a much sought-after group among numerous Southern Baptist churches often lacking in talented or inspirational musical devotionals in the area. 

Apparently, their talent lay in the fact that they were all trained pianists; vocal abilities were secondary. At any performance, one of them could supply accompaniment on a piano or Hammond organ while easily supplying a third vocal harmony – a feat seldom accomplished in any Southern Baptist church at the time. 

It was at that time that Angelus Records was making a great deal of revenue from releasing multiple recordings of Negro spirituals after the “March on Washington” in April 1963. Numerous talent scouts were in the Washington-Virginia-North Carolina area and it was only a matter of time until the  Beecham-Wyler-Samuels trio was heard. 

Performing their popular gospel song, “Jesus Use Me” one week after the assassination of John F. Kennedy, probably caused their pastor, Br. John W. Buckner, to announce in a following sermon something like, “these devout women truly sing the inspirational tones of faith.”  -- 

While their popularity was rising among local churches, an agent from Angelus Records was in attendance.  Perhaps he heard the "inspirational tones of faith" sermon where they had performed and came up with "the faith tones" as a name.

A 45 rpm recording of “Jesus Use Me” by The Faith Tones was released to local radio stations in North and South Carolina in January 1964. It was met with wide acceptance and rose to No. 14 on the East Coast Gospel Chart at its highest rating the following month. 

The chorus is still popular among many televangelists. You can here Jimmy Swaggart performing it here.

Jesus use me; Oh Lord, don’t refuse me,

For surely there’s a work that I can do;

And even though it’s humble, please help my will to crumble

Though the cost is great, I’ll work for thee.

The “B” side to The Faith Tones 45 rpm release contained an obscure 19^th century Protestant hymn, “Where Is My Boy Tonight?”

Where is my wandering boy tonight—
The boy of my tenderest care,
The boy that was once my joy and light,
The child of my love and prayer?

Soon after, local demand and popularity called for an LP of The Faith Tones. 

Angelus Records supplied it. WR 4802. Released in 1964.
(Very few recordings exist. The last known copy sold on eBay on Dec 30 2011 for $214.00)

It turns out that the original members of The Faith Tones performed in hundreds of non-denominational churches across the Southeastern and Southern U.S. for the next eight years up until 1972. 

The last known documented performance of The Faith Tones took place on October 26, 1971 during a week-long revival celebration at the Tyro Baptist Church in Lexington, North Carolina.

Like I said, my buddy, a private investigator, and I did quite a bit of sleuthing and can now supply details for those of you who would like to know about the members of The Faith Tones.

Beverly Beecham: b. 1938 . 

The eldest of four siblings; although the daughter of Disciples of Christ parents, she was educated in a private Catholic school. We found her Sophomore year class photo! Beverly is on the front row, fourth from the right. 

Beverly’s parents converted to Southern Baptist when Beverly was sixteen years old. She obtained a music scholarship to North Carolina State University but apparently dropped her studies after three years in 1959. She applied for marriage license the same year but never married. From 1960 through 1972, she earned very little income aside from occasional royalties from a subsidiary of Angelus Records. 

In 1972, she applied for a three-month visa sponsored by the Southern Baptist Association to teach in Burma (now Myanmar). She remained in Burma/Myanmar as an undocumented worker until returning to the U.S. in 2004 at the age of 66 whereupon she applied for a marriage license to marry a same-sex partner in Massachusetts. 

She remains married and employed as a private music instructor in the Boston area. 

Vivian Wyler: b. 1940. 

Orphaned until 1944. Adopted by parents, aged 39 and 44 years old in Dover, Delaware.  Obtained B.A. in applied music from Oberlin College in 1961. Resided with parents in Raleigh N.C. until 1963. Employed as cosmetologist in Winston-Salem from 1963 to 1972. Received royalties from subsidiary of Angelus Records through 1972. 

Here we go! (The good stuff) 

Civil court records filed in 1974 document numerous hotel monetary records with a named companion who was a NASA astronaut. (No names here). He was slated for one of the later moon missions that had been cancelled. Apollo 18, 19 or 20. But, Ms. Wyler moved to Houston in 1972, had an Order of Protection placed against her by Mr. X, the astronaut, and subsequently moved to Beaumont, Texas. 

She opened a hair-weaving salon in 1975, innovative at its time in East Texas, which was very successful until hair weaving refugees inundated the Beaumont area after Hurricane Katrina in September 2005.

Wyler’s business never recovered.

Marie Samuels: b. 1945. 

The eldest of 18 children born to Southern Baptist parents from Springfield, Missouri, who were influential in creating the “Quiverfull” notion of multiple offspring that would infiltrate society with like-minded conservatives.  

Although Marie was the eldest child of eighteen siblings in a family of fundamentalist Baptist parents who espoused an insular, almost cult-like devotion to the familial cloister, she somehow obtained a full music scholarship to North Carolina State University, probably against the will of her parents. Though she was the eldest of eighteen, she was the youngest of The Faith Tone members at nineteen years of age. 

During the next seven years of The Faith Tones’ heyday, Marie worked at a minimum-wage night-job supervising children with Down syndrome while working toward her Master’s and Doctorate degrees in Music Composition at University of North Carolina at Chapel Hill. Both degrees, she eventually obtained. 

In retrospect, the seven-year success of The Faith Tones would never have been possible had it not been for the quiet, diligent compositional work of Marie Samuels;

She obviously refrained from any and all romantic involvement, devoting all her time to her work with disabled children and toward her music studies. 

In 1974, she signed a lease with a young product engineer employed by 3M, apparently having fallen in love. Two months later, she sought medical treatment suspecting complications from a possible unexpected pregnancy. 

Marie died from complications during surgery when a parasitic twin, a fetus in fetu, was discovered in her abdomen and surgeons attempted to remove it. She died from trauma and blood loss at the age of twenty-nine. 

******

So, there you have it, folks – the complete history of The Faith Tones.

 

When you think about it, their lives pretty much exemplify what we all experience. 

Beverly: An average life, hopeful, escaping reality, ended up like she never expected. 

Vivian: Worked to overcome her past. Became successful; fell in love; and failed. But it’s not over yet. 

Marie: Completely altruistic, died unexpectedly at 29; possibly the true success story.

The Faith Tones and their legacy album "Jesus Use Me" may look perplexing, and even ridiculous on the surface. But when we dig deeper, we can never know whether or not our lives will turn out to be that of Beverly’s or Vivian’s or Marie’s. 

But while we’re here, just for today, we can revel in what we’ve got.

By all means, 
Let’s relish all we can with our own Faith Tones! 

(Please note: The preceding article was an exercise in fictional creative writing.)

UPDATE!!
I actually got my hands on a mint-condition LP of "Jesus Use Me". One came available on eBay and I sniped it! So, here you go, folks! An actual recording of the lovely Faith Tones performing "Jesus Use Me".

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